Komarin Exhibition in Japan at the Musee Kiyoharu

Nearly ten years ago, I was invited to have a solo exhibition at the prestigious and privately owned Musee Kiyoharu in the countryside of Japan.

This is a pivotal and quite important exhibition for me as the exhibition was by invitation only, through the auspices of one of my Asian collectors who was in turn well connected with the owner of the museum who was a major collector in his own right. The show featured approximately twenty-five large works on canvas. The exhibition was titled: ‘Moon Flows like a Willow.’ The title came from a poem that my son Wyatt wrote when he was only 8 years old it had a beautifully oblique and resonant quality for me and also dovetailed very well with the Japanese fondness for willow trees and nature itself.

We flew to Tokyo and took a train to Kyoto and from there a taxi to get to the museum which was set in the countryside of Japan which is quite extraordinary with its swaying bamboo trees, most much taller than any I had seen in America. They bend in the wind in the most magical fashion. The show was a big success, widely reviewed in Japanese press and was followed by an outdoor concert featuring huge kettle drums that were played loudly with long wooden sticks.

Promotional poster for ‘Moon Flows like a Willow’ at Musee Kiyoharu.

Traditional Japanese drumming celebration

 

 

 

 

 

 

 

 

 

 

 

 

Painting, especially abstract painting, speaks to all people. The voice of abstract painting speaks to all languages and language in a curiously happy way drops out and viewers can appreciate color, tone, texture and shape free from the limitations of language the painting speaks. The people dance. The drums play on.

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